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	<title>District Lies &#187; russian circles</title>
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		<title>Russian Circles @ DC9, 12/3/09</title>
		<link>http://theobscurist.com/muzyka/2009/12/russian-circles-dc9-12309/</link>
		<comments>http://theobscurist.com/muzyka/2009/12/russian-circles-dc9-12309/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 20:29:53 +0000</pubDate>
		<dc:creator>jeff gerhard</dc:creator>
				<category><![CDATA[reviews]]></category>
		<category><![CDATA[russian circles]]></category>
		<category><![CDATA[young widows]]></category>

		<guid isPermaLink="false">http://theobscurist.com/muzyka/?p=205</guid>
		<description><![CDATA[I&#8217;ve seen lots of instrumental rock bands, of varying styles, and probably wouldn&#8217;t have thought of going to see Russian Circles last week, but a friend was really excited to see them, so I was amenable. I knew them a little bit &#8212; I mentally lump them in with bands like Red Sparowes as epic, [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve seen lots of instrumental rock bands, of varying styles, and probably wouldn&#8217;t have thought of going to see <strong>Russian Circles</strong> last week, but a friend was really excited to see them, so I was amenable.  I knew them a little bit &#8212; I mentally lump them in with bands like <strong>Red Sparowes</strong> as epic, serious-minded, metal-tinged instrumentalists.  This seemed pretty accurate &#8212; the show was good but a little too earnest.  The crowd was about 90% male (even real metal shows have more chicks), and mostly on the young side.  This kind of music has a certain appeal (and I enjoyed it) but somehow it&#8217;s missing something.  It was a fun but not transcendent show.</p>
<p>Basically I have a problem with bands that rely too heavily on tone and effect rather than on songs.  Russian Circles were certainly not the worst in that category (opener <strong>Young Widows</strong> used a hell of a lot more effects pedals, but had better music to go with it).  Obviously, tone matters; effects matter; it makes sense for musicians to spend a lot time, money and effort on getting the sound they want.  But when the music is all about the tone, it just seems kinda pointless.  I want my guitar-based music to be something that could be adapted to a crappy Sears-brand guitar/amp combo and still be recognizable.</p>
<p>I also had the feeling, an unusual one, that they could do with some vocals.  I generally support instrumental music and think vocals are often redundant, but sometimes they can really add something.  Russian Circles + an interesting singer could = <strong>Made Out of Babies</strong> which is a way more interesting band.  </p>
<p>On the plus side, I have listened to Russian Circles before and never given much thought to their name.  While watching them live, I found it appropriate &#8212; their songs are really carefully composed, often circling back to the beginning segments.</p>
<p>Anyway I am not hating on Russian Circles &#8212; they were pretty good.  But I thought Young Widows were better.  I didn&#8217;t really know this band but I was terrified before their set because they set up a massive array of amps&#8230; luckily some of them had hidden lamps inside instead of speakers.  Young Widows were also guilty of being too effects-driven but they had actual songs that were heavy post-hardcore, maybe screamo&#8230; fun stuff!  Intense!  You can get a flavor of their sound at a video from a show a few days later seen <a href="http://www.youtube.com/watch?v=k3pac5Aa1V8">here</a>.  They reminded me a little of <strong>Frodus</strong> who I <a href="http://theobscurist.com/muzyka/2009/06/frodus-the-van-pelt-black-cat-62009/">saw earlier this year</a>; I liked Frodus better but I might like the Widows more if I listened to them.  I&#8217;ll give them a shot.</p>
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